Tuesday, October 15, 2013

Lost Hope and the Ultimate Choice


            In today's society and in modern times, childhood is generally characterized by a bubbling curiosity, big dreams, and deterministic goals. Many children seem to believe they have a clear vision of the future, whether it be the dream job of an astronaut, or a teacher. Contrastingly, the environment depicted by Jack London in the short story, “The Apostate,” childhood is a dreary, cold experience as seen through the eyes of Johnny, a child laborer who has been providing for his family since he was seven years old. Everyday, Johnny wakes to a constant misery of tasteless coffee and bread, and a sickness-filled factory he works in, returning home with a salvaged energy with no chance of great relaxation. As the main provider for his family, his mother depends on him to carry the burden of providing a great future for his siblings. At childhood and adolescence, many parents restrict their children’s freedom and independence for better development and control. With Johnny’s desolate situations of lost hope and an overbearing family, is the ultimate choice for him really sole freedom?
            When he was six, he was proclaimed the mother and the father to Will and the other children, as their mother took on various jobs. Shortly afterwards, Johnny has gone through several jobs and tasks such as winding bobbins, guiding streams of cloth, and working in a glass factory at nine years old after acquiring Measles. In his early stages of his childhood, he enjoyed work for he was still in possession of dreams and illusions, as he watched the streaming cloth pass by. Perhaps it is analogous to his future as his dreams slowly disappear the more he works and watches the stream of cloth pass by. At eleven he states that he has gone into full-blown manhood as he concludes, “No child works on the night shift and remains a child.” As the superintendent and various people admire and marvel at his efficiency to do these high-level factory jobs at high speed, his tension increased and so did his susceptibility to more diseases. The more his workload increased, the more his mind ran slower, resulting in no longer dreaming at all. At sixteen, he states that he had grown too old and tired to love. The factory work has drained him and is a factor that contributed to his gloomy perspective and outlook in life.
            Furthermore, the relationship between Johnny and his family members are at the cusp of falling apart. His mother seems to treat him unfairly, putting his younger siblings in a higher priority, especially Will, the second oldest child. As Johnny states, “I was younger’n than him when I started to work.” His mother wants a better childhood for the younger childhood, using Johnny as the leverage to make her ultimate goal happen. Johnny is the breadwinner and the father figure of the family, and the mother is slowly taking advantage of him. His mother seems to be an insensitive woman, as she hastily defends her actions by saying that she has done no wrong and does not see the error of her ways. This puts a rift between Johnny and the family, and through his mother’s stubbornness and leeching ways, Johnny has become even more drained after his work at the factory.
            Implied by the title, apostasy is the “abandonment of religious faith, vows, and principles.” Johnny at the close of the story is lying in a train somewhere, after bidding his mom goodbye. He has made the choice of the ultimate freedom from disillusionment from work, and has lost his will to continue to uphold everyone’s standards of him – his mother and the factory primarily. His physical and mental conditions has slowly deteriorated and just at sixteen years old, he has lost his sense of being and is delighted with the comfort that gone are the days of brutal, repetitive machinery with a bunch of looms stuck running in his mind. For him, sole freedom really is the key solution to his desolate life, and that makes all the difference. 

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