Sarah Orne Jewett’s short story, The White Heron, is about the journey of
a nine-year-old girl named Sylvia who transitions from a “crowded manufacturing
town” (115) to her grandmother’s home in coastal New England. The exposure to
the new environment has an overwhelmingly positive impact on Sylvia’s life as
she quickly falls in love with nature and also the animals that inhabit the
area. As the story progresses, the main character is forced to choose between
saving a white heron’s life or impressing an ornithologist who plans on killing
the white heron. The central theme of the story revolves around Sylvia’s
decision of keeping the location of the white heron disclosed and ultimately
picking life and nature over money and the possibility of love.
Sylvia and her grandmother live in a
place full of peace and greenery. The mood of the story quickly changes when a
stranger approaches Sylvia in the woods. During the initial encounter between
Sylvia and the ornithologist, Sylvia immediately views the stranger as a threat
to the woods. The author mentions, “The enemy had discovered her” (115). The physical appearance of the hunter also
fortifies this accusation due to the fact that he is wielding a gun. The hunter
seems to be very polite and determined at finding the location of the white
heron. He even offers Sylvia $10 to reveal the location because the hunter
knows about their financial situation. This offer of wealth is the main reason
Sylvia climbed the pine tree at night to find out the location of the bird. This
is significant because her grandmother is not that rich and so rejecting this
offers implies her love for nature. On the contrary, if Sylvia did accept the
money and showed him the location of the nest, then maybe they would have
developed a romantic relationship.
In order to gain the knowledge of
the white heron’s location, Sylvia climbs an enormous pine tree. At this point
in the story, Sylvia truly understands the beauty of nature as she looks out at
the vast landscape and the ocean. Even though Sylvia did have some feelings for
the hunter, she still could not let him kill the birds that she dearly admired.
Her love for nature was easily greater than her love for the hunter. It can be
argued that Sylvia paid a huge price by not telling the hunter because she regrets
his presence. The author leaves us with a question. “Were the birds better friends than their
hunter might have been—who can tell?” (120) To Sylvia, the answer to this
question is yes because she resisted the temptation of money and in return
gained knowledgeable value of the white heron’s location.
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